Label owner of Archipel Musique and Kalimari find his artist page here on Beatport. DJ since the late 80’s as he discovered Acid House, his artistic evolution in 1998 as he started the Pheek Project.First taking interest as a sound enthusiast, Montreal’s Jean- Patrice Remillard began exploring electronic music in earnest by the early 1990s, teaching himself how to produce and manipulate sounds with software and hardware. Noticed by Hautec Recordings in 1999, the local label released the 12” ERS 1-2-3, Pheek’s minimal techno collaboration with Mateo Murphy. By 2002 Pheek had produced two critically acclaimed full-length albums and gained a prestigious reputation for his memorable live sets at Epsilonlab events.With his music now turning heads overseas Pheek departed on his first European tour, visiting and performing in over fifteen countries. Meanwhile, releasing with German netlabel Thinner allowed Jean-Patrice to consort with a group of peers who could provide invaluable aid and assistance. Beginning to build on an international scale, Pheek now finds himself releasing amongst his idols for such renowned labels as Richie Hawtin’s M_nus imprint, France’s Telegraph, Denmark’s Tic Tac Toe or Germany’s Contexterrior, gaining particular recognition for the unique quality and texture of his sounds.Nourished by his experiences and hoping to construct his own community of likeminded musicians, Pheek founded the Archipel netlabel in 2004. The immediate support and praise of media and clientele allowed Archipel to quickly achieve a key goal, releasing Pheek and Jesse Somfay’s Galapagos Excursion Joint 1 as their first vinyl in early 2006. With his little family growing fast,Archipel has now launced the Kalimari sublabel, already at two releases. With Galapagos Excursion Joint becoming a favourite of Sven Vath (it appears on his next mix CD), and Kalimari’s Mein Tesh included on Matthew Dear’s Fabric 17 CD, Pheek’s labels are now firmly ensconced in the international minimal techno and tech-house scene.His live performances and recordings now in widespread demand, Pheek continues to pride himself on building, creating and developing… Art first.
"Every artist strives to find freedom in making music and as an electronic musician, there's so many dependencies that one can feel frustrated. Using the SUBPAC was the first step in understanding the basis of my studio. If I have one with me, I can not only work anywhere but I know exactly how to master the art of making the low end efficiently. It's one of those tools I can't see my studio without."