June Miller
"It's opened a totally new dimension into our productions! We love the balance between it being a serious piece of kit in the studio on our productions, from geeking out watching your favourite action movie."
Q&A with June Miller about the SUBPAC:
What role does “feeling” play in the music you make and love?
A huge amount! Drum and Bass without the Bass? no thank you! This essential element will transform any track, and its the main reason club music is alive. Feeling that bass on a large rig is a massively memorable feeling.
Has the SUBPAC changed the way you create, produce or mix music?
In the studio, it’s very difficult to replicate that huge pounding low end that you find in most clubs. So the SUBPAC has opened up a whole new dimension in terms of mixing your tunes for that environment.
ABOUT June Miller:
Trace the very tendrils of drum & bass and you’ll hit hardcore. Acid house’s ugly little brother, its extremities resonated with a whole generation, boosting them with an energy and focus the dancefloor had never experienced before. Trace the very tendrils of June Miller and you’ll hit a wholly different type of hardcore… But a very similar story.
A transcontinental duo, Mark McCann and Bart van Dijk met under bizarre circumstances. Mark ran a small independent record label in the UK, Bart played guitar in a Dutch hardcore punk band Deluge. Neither of them knew of each other’s existence. One morning Mark received Deluge’s album ‘Spot In The Shadow’. Unsolicited, to this very day he still doesn’t know who sent the CD to him. Pressing play, the band’s uncompromising energy and attitude instantly inspired him. He picked up the phone and organised a UK tour.